Thursday 26 February 2015

Directions Unit: Final Cut & Critical Reflection

I have now completely finished my final cut of Exhale. After three months of hard work and planning, it seems to have all paid off. My end result is a 7:20 minute long, finely cut film, a completed script for my own documentation, a step by step of absolutely all of my work on my blog and a detailed website on David Fincher and Exhale.

Since receiving feedback on my fine cut, I've made the following changes...

- Added more sound effects (street noise such as birds, cars)

- Changed a clip of Mara holding drugs that went on a bit too long to a reversed clip that shows her taking out the drugs and then holding them up

- The above meant that I could get rid of an unnecessary mid shot of Mara taking out the drugs from her pocket

- Lowered the static sound I originally had over the flashbacks, to mix with a new 'sharp breath' style sound that I've put over them

- Fine tuned the sound throughout the film

- Shortened the gap between the final shot and closing credits

- Cut to the close ups of Mara and Rick immediately after the close up of her giving him money for a more noticeable shift in their conversation

I think that all of the above has really helped in getting my film to that last, finely tuned point. But of course I ran into problems, I was unable to make the following changes that I was advised on...

- Add a gradient filter to put on the sky

I explored this option, but it proved to be near impossible to make a noticeable difference to the sky by adding a gradient filter from Final Cut.

- Change around the clips where the two characters come together in the conversation scene to make it flow a lot better

I've struggled with this throughout editing. If I had filmed a second shot of Rick entering the scene I wouldn't have a problem. But as I just have the one, it's been difficult to make it flow into the first shot of dialogue. I tried to add a wide shot immediately after the clip but I think it flowed even less than going straight into the mid shot, and after testing out other shots to add, nothing was making an improvement.

My course leader came up with the idea that Rick could enter the scene first and then Mara could enter instead of the other way around. At first it sounded possible, but then I realised that it would really clash with the conversation. Seeing as in their dialogue they mention that she was early, she'd been waiting for him and that she should have gotten there later, so it wouldn't make any sense to have her enter after he does. After many failed attempts at fixing this moment, I sadly couldn't find a way.

I'd have to say that the above is one of the only downsides to my final cut. Other than that, while editing has taken a lot of work, time and incredible detail, it's come out very well.

Overall, I'm very pleased with and proud of my work. I think all of the planning I originally put into the unit, the organisation and hard work I, my cast and crew put into filming and the time and hard work I've spent on editing, has really been made clear through my final cut. Along with a lot of time, research, detail and fine tuning being put into both my website and blog.

I'm really looking forward to hearing what people think of my film and website!

Here is my final cut of Exhale...



And my website address...


Tuesday 24 February 2015

Directions Unit: Website

I've almost completely finished my website. The only thing left to do is add my final cut (yet to be completed) to the 'video' page.

I'm proud of my work on my website as I think I've managed to make it very detailed both in appearance and in the information it gives. For inspiration I looked up all existing websites of David Fincher films. The most helpful ones that I found were the Gone Girl website and the Curious Case of Benjamin Button website. As these were good to work off of in both layout and information.

For example, the Gone Girl website has a synopsis page, the page gives just enough information to get an audience interested in the film without giving too much away. Another example is the main page layout on the Benjamin Button website, it starts with an introductory page that allows you to click 'enter website'. I think this gives some excitement to the site.

I also worked off of these websites to see what kind of features are included on a 'movie website'. As a section of my site is about my film, I found these extremely helpful in getting that section to have the most professional information on the film and appearance as possible.

As the website's main focus is on David Fincher, I needed a lot of researched information. I of course have studied him a lot for this unit, but I needed to gather all of it up. By looking back on my blog posts about him, using IMDB for information on both him and his films, watching videos about him and looking up biography websites, I managed to get a very detailed David Fincher website.

I'm really looking forward to 'unveiling' my website once my final cut of my film is done. Until then, here's a screenshot...


Monday 23 February 2015

Directions Unit: Fine Cut

After making the changes and additions that both I and my course leader felt the film needed, I think my fine cut is looking great.

I made the following changes to my film...

- Made the image quality of the flashbacks more blurred, bright and unusual to make them stand out


Before
After
- Removed an unnecessary shot from my first sequence

- Re-edited my conversation scene to start with wide and mid shots, then change to close-ups, and then back to wide/mid to fit the story, showing that they start to get closer once money and drugs are exchange, and then she closes off again once she has flashbacks and wants to leave

- Added a wide shot early in the conversation scene for variety



- Used light filters on certain shots for a more professional look


Before
After
- Add lots of sound effects such as street noise as a backing track throughout the film, sirens, dogs barking, birds, cars passing and crying to one of the flashbacks for a more emotional effect

- Fine tuned my sound to make sure there was no clipping and that all of the sound, especially in the conversation, had an equal volume

- Removed the static sound from my flashbacks as it simply didn't sound right

- Improved the exposure and blue colouring on every clip to make it more obviously tinted and colder


Original
Rough Cut
Fine Cut
- Added Fincher style opening titles and closing credits using my own footage of smoke and backwards credits (wasn't easy!)





I put a great amount of detail into the changes and additions I made. A lot of them seem like very small, insignificant changes but they took a long time and a lot of work, such as tuning the sound, changing colours and adding filters.

I'm also very happy with how my titles and credits turned out. When I filmed the smoke, I did it outside at night, creating a clear black background and thick white smoke by holding a light under the smoke. I originally created my opening titles with the white smoke and black background, but after playing around with effects, I found that the 'negative' effect looked amazing. I love that it gave it a clean white background with dirty black smoke. I also tinted the smoke slightly blue to fit with the rest of the film. I think the font and fading in and out effect I chose for the text is also very Fincher-like if you compare it to a film of his such as Gone Girl.

I wanted my credits to role backwards like they do in the film Seven, so that I could finish the film with one last Fincher trademark. It turned out to be challenging though! When it comes to titles on Final Cut, you can't simply reverse them for some reason. So I had to write all of my credits backwards, starting at the end and working my way to the beginning. Then I had to take my clip of the smoke and reverse it, so that the smoke was moving backwards. Then I put my credits over that clip, and merged them into one single clip, this allowed me to reverse the credits so that they would role down instead of up. And obviously once I reversed the merged clip, the smoke moved in the proper direction again.

I'm very proud of the work I've done on my film so far, but I have a bit more to do before my final, submitted cut is ready. My course leader gave me a few more tips on how to improve the film just that little bit more...

- Change around the clips where the two characters come together in the conversation scene to make it flow a lot better

- Explore a gradient filter to possibly put on the sky

- Add a few more sound effects

- Slightly shorten a clip of Mara's hand holding the drugs

- Explore other options for a sound over the flashbacks

I've already started working on the above, and I'm really looking forward to having my completed final cut ready for submission!

Here is my fine cut of Exhale...


Directions Unit: Title

A couple of days ago I finally decided on my film title. I've been through a lot of options in my head but haven't liked any of them enough, or if I have, they haven't fit David Fincher's usual title styles.

He usually titles his films (or directs already titled screenplays) with one word, two words or longer titles beginning with 'the'.

I like shorter names, so I wanted either a one or two word title. I also wanted it to be smoke of fire/flame related. This is because Mara's smoking, drug 'cooking' and taking of drugs is a big part of the story. I think it also relates to her life going 'down in flames' since the death of her mother.

The titles I thought of included...

Down in Flames
Up in Smoke
Burn

I never felt happy with any of these titles. The first two are three worded and I felt like that was too far from Fincher's style, and the last I felt was simply just too plain.

After weeks and weeks of trying to think of the title, the name just suddenly came to me. I was thinking about smoke, which lead to thinking about smoking, and the words inhale and exhale came to me. Exhale immediately sounded perfect. It's still smoke related without being too obvious, and it also relates to Mara trying to calm and compose herself every time she has a painful flashback. It also fits perfectly with Fincher's titling trends by being a one word name.

So my directions film is officially called...


Monday 16 February 2015

Directions Unit: Rough Cut

From the moment I had my clips available to cut on my hard drive, I started editing. Obviously a rough cut doesn't have to be amazing, but I didn't want to just do half the work and then need to make double the improvements for my fine cut. So I've made it close to how I want it to be and how I imagined it.

I'm very pleased with the outcome. It's turned out to feel a lot more emotional than I expected. I planned on the tone of the film to be slightly depressing with a good sentiment, but thanks to my fantastic actress, she's brought so much more to it. I'm also very happy with the coverage I have. I think as well as having a huge variety of shots to keep the story flowing, I have a lot of powerful, strong shots that play a big part in the story and capture Fincher's style.

I didn't make a list of what I was doing during each step of editing but below is a list of the different things I did to create my rough cut from start to finish...

- Named and categorised each clip for better organisation

Then I worked sequence by sequence. Once I finished doing the list below to the first sequence, I started on the second and so on...

- Put the clips into chronological order in Final Cut
- Started to mix up the shots and angles to make the story and movements flow

After this I started to fine tune the entire film...

- Added my soundtrack
- Cut the clips in a way that timed well with the music
- Tested different lengths for the flashbacks
- Added a static sound to the flashbacks
- Raised and lowered certain sounds (especially the soundtrack during the dialogue scene)
- Changed the exposure, saturation and colouring on every single clip, to make them look colder or warmer

I think one of the most noticeable differences in my clips is the colouring...



I put a lot of time and a great amount of detail into making the film appear cold. All of my clips had very natural and sometimes warm lighting. As this doesn't fit with my David Fincher style or the emotional tone of my film, I needed to change all of them to appear like the shot on the right. I also changed the exposure on the clips to create better shadows and highlights, making it look more professional.

I've had a lot of great feedback from my course leader. He found a lot of positives in my film but gave me a lot of extremely helpful advice that I think will dramatically improve my fine cut edit. I've already started to make the following changes that he suggested for the fine cut deadline...

- Made the image quality of the flashbacks more blurred, bright and unusual to make them stand out

- Removed an unnecessary shot from my first sequence

- Re-edited my conversation scene to start with wide and mid shots, then change to close-ups, and then back to wide to fit the story

- Added a wide shot early in the conversation scene

I just need to make the following changes (the last three are my own changes, not suggested ones)...

- Use light filters on certain shots for a more professional look

- Add lots of sound effects

- Attempt to create a more detailed sky in the conversation scene using filters

- Generally tighten the edit

- Generally fine tune my sound

- Add opening title and closing credits

I think my rough cut has gone really well and I think I'll be very proud of my fine cut.

Here is the rough cut...


Tuesday 10 February 2015

Directions Unit: Filming

My two days of filming were brilliant. I got almost every shot I wanted and they were exactly how I imagined them to be. I ended up way ahead of my schedule and times I set for each scene and location without having to rush or skip a single thing.

My crew consisted of Harry Taylor (camera operator), Alex Barker (light and sound assistant) and Joanne McLellan (general assistant). They were all great, they followed my instructions and directions exactly how I needed them and I really couldn't have carried out my shoot without them.

My actors were my own mum, Joanne McLellan for the small role of Anna, as she's had previous acting experience, and two professional actors from Casting Call Pro. Elly Bran played my main character Mara, and Jay Ramji played my drug dealer character Rick. Joanne was obviously very trustworthy throughout filming and followed my directions perfectly, so I'm glad I cast her. 

I couldn't be happier with my decision to cast Elly and Jay. They were both fantastic, they'd been great at communicating with me ever since applying for their roles, but were even better in person. They were both very polite and professional and made me feel like my characters were in safe hands. They both told me I was very easy to work with and that I'm a great director, so that made me feel like I'd done a good job! I'd love to work with them both again!

Jay had less screen time than Elly, so I spent a bit less time with him. But the time that I got to work with him went very smoothly. He's a very easy going person but was also serious about the job. So it was perfect. He portrayed Rick exactly how I wanted him to and wasn't afraid to ask any questions about the script which I appreciated.

As Elly had a lot more scenes than Jay, I spent more time with her and got to see more of her skills. She's a brilliant actress and brought so much emotion to the character of Mara. I thought her audition was great but when it came to it on the day, she blew me away. She genuinely made me feel really sad for the character when watching her act, it was brilliant. She was so easy to work with and made everything very easy for me.

While all of the filming, acting and directing went smoothly. It was a bit of struggle to set out the scene. I decided to set it up by myself before everyone arrived to save time. I needed to create and collect a lot of decor and props and set them all out in both the kitchen and the living room of my house. But as well as this, a lot of items needed to be moved around and simply out of the house. If we start with the kitchen...

This is how my kitchen usually looks...



I removed a mini oven, a toaster, cooking utensils, a clock, a kettle and items such as cake tins, bread bins, tea and coffee and a mop. Then I added lots of alcohol bottles, dirty dishes, cigarettes, lighters, empty wraps of 'heroin', burnt spoons, syringes and a piece of cardboard over the window. And this was the turnout...




It was difficult to transform the room by a lot. But I need to stop focusing on how the room looked before, as the audience won't know what the before and after is. I was going for the impression that Mara simply doesn't care about looking after the room, so she leaves mess everywhere. I chose the above decor as it fits her character, seeing as drinks heavily and abuses drugs. I removed certain items that I thought she simply wouldn't be bothered with like a mini oven, cake tin and bread bin. I also put cardboard over the window as it made the scene both slightly darker for me and gave more of a decaying look that I wanted.

After we finished filming in the kitchen, we moved straight onto filming in the living room. Which meant doing a much bigger set up. Luckily, as I had two men on my crew, they came in handy for moving furniture!

This is how my living room usually looks...



We started with Harry and Alex moving the larger sofa out of the living room and into the kitchen. They then had to move a large table from the corner of the room into the kitchen and place it on top of the sofa (both a difficult fit!). After this they moved the smaller sofa into the space where the table was. We then removed the rug, pouffe, end tables, and smaller items like bags, shoes, flowers, and personal items like framed pictures. Once this was done, I got out a sun lounger (sadly I didn't have a camper bed available, but this worked just as well) and laid it out in the centre of the room. I then put slightly stained sheets over it. Then scattered the same decor as the kitchen in the room, with the addition of clothes, belts, an ash tray and a framed photo of 'Anna'...





This gave a very good decaying and empty look to the room that I was going for. And again it gives the impression that Mara doesn't care about looking after the room. I think I could have scattered the decor out a bit more than I did as it's a bit too one sided but overall I'm very happy with the transformation and the look of the room.

When it came to the dialogue scene outside, I chose an alleyway. This was because it was good for cutting off any wind that could get in the way of the sound (and it was a windy day!), it had the dark decaying look that I needed, and as an alley is a secluded, private spot, it makes sense that the characters would have a drug deal there.


As well as a lot of set design on the day, I did costume design too. I of course had all of Mara, Anna and Rick's costumes planned out and ready to wear on the day.


Jay (Rick)'s costume was quite simple to decide on. I wanted him to just have your every day, average guy look. But I didn't want any bright colours, to fit with the film's style.

While Rick's costume was simple, there was a lot of hair and make-up involved when it came to Joanne and Elly.

This is how Joanne usually looks...


And by giving her messy hair and eye make-up that looked like she'd been crying, she looked like this...


Along with her fantastic ability to look so upset, I think her hair and make-up really gives the impression that she's falling apart. I love how her costume turned out.

The most detailed costume was Mara's. Elly's usual look and the look I kept for flashbacks of her looks like this...


I gave her dark, black, smudged eyeliner, pale lips, dark circles under her eyes, messy tied up hair, and fake track marks on her arms. I also gave her fake tapers and hoops in her earlobes, a fake hoop high up on her ear and a fake hoop on her nose. After all of that, she looked like this...


I wanted Mara to have quite an effortless look, as well as tired and slightly sickly from withdrawal from drugs for a day. I think the smudged make-up, the dirk circles under her eyes and the messy, tied up hair portray this really well. I also wanted her to have quite a tough exterior, so the piercings bring that extra edge. I'm really pleased with Elly's costume.


I think I managed to do a decent job of her track marks. Annoyingly the ones I did for practice a couple of days before were slightly better! But I think they look quite realistic. I just wish there wasn't a slight shimmer from the eye-shadow!

I put a lot of work into filming both before and during. Obviously it was made ten times easier by my cast and crew, but I'm glad I made sure to be prepared. I had a shot list of over 70 shots and managed to get more than that. I managed to give clear directions to my crew about camera angles, sound and lighting, and to my cast about how I wanted them to use the set, space, props and how to portray the actions.

The only real problem that I ran into was that two 8GB memory cards proved to not be enough for my film! Towards the end of the shoot I started to really lack on space and had to delete certain clips. That was slightly stressful as it made me worry but my crew reassured me that I had more than enough coverage.

Overall, I enjoyed filming. I was nervous about how it would go for weeks. But when it came to it, everything went almost perfectly and it was great to see everything that I'd imagined come to life. I think I captured a lot of Fincher's trademarks and once I edit the film it'll look even more effective. I can't wait to start!

Friday 6 February 2015

Directions Unit: The day before

So I start filming tomorrow. I'm very nervous to be honest! But I have every single thing organised, so as long as the weather doesn't let me down, everything should go according to plan.

I've been planning for so long. Fine tuning my shot list and schedule, making sure I have every detail right for my set, props and costume, creating my own props, and knowing exactly when I want to use the equipment and how.

My equipment:

1 Camera
1 Tri-pod
1 Fig-rig
1 Lighting Kit
1 Reflector
1 Blimp with fish pole
4 Fluorescent jackets

On my crew I have

Harry Taylor: Camera Operator
Alex Barker: Sound & Light Assistant
Joanne McLellan: General Assistant

I sadly couldn't find more than three crew members, but I think with the four of us, everything will go great.

I've put in a lot of work and endless planning for my film so while I'm nervous for tomorrow I'm also very excited!



Above are just some of the props I've created. From the image you can see that I...
- I bought fine brown sugar, weighed it to a gram, and wrapped it up to look like heroin
- Created lots of empty wraps of heroin by cutting up lots of plastic and sprinkling brown sugar in them
- Bought syringes and filled them with tea to look used for dissolved heroin
- Bought spoons, burnt them, put drops of tea in them and sprinkled brown sugar over them

Monday 2 February 2015

Directions Unit: Preparation

I've been preparing for my film for a long time. By choosing a director, doing a lot of research on him, thinking of and writing up my idea several times, creating my characters, deciding on locations, creating my script, casting actors, listing props/decor and costume, purchasing props/decor and costume and thinking up my shots in my head. But obviously I need the latter on paper. So I have started a shot list.

I find them extremely helpful to have for planning before filming day as well as to make sure I've got every single shot I need on the day. The shot list will be done by tomorrow night as I already know exactly how I want every shot in every scene. After that I may create a simple storyboard for extra help in bringing my vision to life.

I oddly love creating shot lists!

The shot list for my first scene (not including it's flashbacks)...


Directions Unit: Actors

After roughly a week of contacting actors and trying to arrange auditions, I managed to get four actors to audition over Skype on Wednesday and Thursday (sadly none of them could audition in person). In my auditions I asked them a list of questions, such as touching on their acting career, what made them interested in the role of Rick/Mara, and some specific questions on costume and possibly difficult things to act out in scene such as smoking. Among this, I let them ask me some questions and I had them read their lines from the script, so that I could see both their body language and the way they would portray the character.

I feel very happy with the way I carried out my auditions. I did a lot of research and asked other people on my course (including higher years) for some tips, and I think I held very professional and useful auditions.

I needed to decide on my cast as soon as possible. As I needed to buy costume specifically for them right a way and make sure that I have my actors confirmed asap, I set myself a deadline of making a decision by Friday night. I held auditions for two actors trying for the role of Rick, and two actresses trying for the role of Mara. I thought all of them were great, but luckily for me, my decision was quite easy. Both my chosen actor and actress stood out more, and the way they portrayed the roles was a lot closer to what I had envisioned for my characters.

So on Friday evening, I contacted my two actors who didn't make the cut and told them they did well and to please apply for anything else I post in the future. And called my actors who were successful to give them the good news. They were both very excited and accepted their parts!

I'm now sending out their artist contracts and consent forms and creating my call sheets! I'm very happy with how my casting has gone!